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Diversity: Can Any Good Thing Come Out of Nazareth?
Standing in Nazareth's Basilica of the Annunciation, I gazed up at mosaics from all over the world. These works depicted the Virgin Mary with Jesus, and in each case Jesus bore the ethnic identity of the predominate group in the gifting country. That is, the art from Ecuador showed Jesus as Ecuadorian; the work from Japan, as Japanese; and the one from Thailand, as Thai. The baby Jesus from Slovenia even had red hair. The mosaics’ creators made these localized images to remind viewers that Jesus is “one of us”—which he is. Yet so many artists have depicted Jesus as white for so long with such far-reaching influence that many…